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Bob Dylan

(Published in "Studio Systems" May-June 2001 issue)

Recently Bob Dylan seemed to be featured prominently in every newspaper in Mumbai. The great poet was celebrating his 60th birthday and had chosen to observe it in a low-key manner. Mumbai however decided to pump up the volume with a concert where dozens of singers got up on stage, many of them singing songs that they had never cared about before! Like an out of town musician friend observed on the day of the concert," Nobody thought about Dylan for all these years and suddenly everybodyís on the bandwagon!" Nevertheless a good time was had by all and I am sure that would have pleased Dylan. Bombay just needed another excuse to party! Although personally I was never an avid Dylan fan, I was always surrounded by people who considered him to be a demi-god. Way back in the sixties, an American friend had gifted me his very first album and his bizarre hair and weird singing style are still embedded in my brain. He went on to be a major anti establishment spokesman through his songs and was one of the major artistes who revolutionized the American youth to protest the American Government entanglement in the Vietnam War. It is a tribute to his talent as to how Dylan continues to be relevant even today, having just won the Oscar for best song in a film. And it was only a few years back that he won the Grammy for best album. Wow, what a career! Like they say in India, Sau saal jiyo!

Longevity

Dylanís sixtieth birthday got me thinking about the great artistes who have continued to be strong and so prolific even after many years of creative involvement. Among the names that come immediately to mind are Paul McCartney, The Rolling Stones, Eric Clapton, Sting etc from the Rock world. Michaelangelo, the great renaissance painter and sculptor, was said to have been active even in his seventies and some of his best work is from that period. Back home in India, we have the great singers, Mohammed Rafi, Lata Mangeshkar, Asha Bhosle, Kishore Kumar, etc. and music composers like Naushad, Shanker Jaikishan, and even Anu Malik, who has been around for 25 years and is reaching greater heights every year! I would like to make it clear at the outset that this is by no means an exhaustive list as there are countless others who merit inclusion. What intrigues me however are the techniques used by these artistes to constantly reinvent themselves and be enthused about doing similar creative jobs over and over again and at times bettering themselves too.

Every artiste has, over the years, developed his own bag of tricks to nudge his creativity. It is said that Einstein had a special room, which he entered when he had to solve difficult scientific issues. And there is the case of a famous Japanese inventor who did his best thinking at the bottom of the swimming pool! He theorized that the increase of Carbon Dioxide in the body led to a rise in his level of Creativity. Recipient of the maximum patents granted to any inventor, one of his inventions was a notepad that could work underwater! Works on Creativity have listed numerous such techniques and Iím sure that they are very individualistic and need not work on everybody. Yet what distinguishes all these great artistes from everybody else is their insatiable curiosity and their absolute need to grow. They are almost like children who constantly need to know why and how!

God bless these great individuals who have given us these priceless works of art and science and hope that they continue to find new ways to enrich our lives over the years!

Misunderstood Lyrics

Dylanís contribution to the Rock World on the lyric front went a long way into making Rock Music an art form that needed to be taken seriously. All the great political and business leaders in todayís western world have grown up listening to Rock and they have always acknowledged their gratitude to its liberating influence. However an interesting aspect to the popularity of the music were the wrong lyrics that sometimes got through because one could not make out what was being sung. In the old days, we did not have the luxury of the net, which, I must add, is a wonderful source for lyrics. A lot of the artistes did not publish their lyrics on the albums. Thankfully that did become the fashion later on but the albums started disappearing and we started having those tiny cassettes. Out went Album Art and the lyric page and we were left dreaming up those lines once again. Of late, the cassettes sometimes carry lyrics and the CDs definitely do but I am truly embarrassed by what lyrics I had to sing in the old days. I recently downloaded the lyrics of "Sunshine of my love" a favorite Cream song of mine and I could not believe my eyes. Here was a song that I must have sung a million times and so many of the words that I sang were totally wrong! In this particular case, I did prefer my words to the original as all musicians are not necessarily great lyricists but to go through so many years without knowing what the original authors wanted to say puts a new twist on the whole issue. One of my favorite new artistes SEAL has an entirely new viewpoint to this entire issue. He never publishes his lyrics on CDs, as he believes that he would like every listener to interpret the lyrics as he/she hears them and so each song becomes his or hers own personal experience distinct from everybody else. Of course there are artistes known to consciously slur words as a style so that a mystery is created around what is being sung!

Jim Morrison and Mick Jagger lyrics are a nightmare to follow as is very well known to millions of their fans all around the world. At times I wonder whether I should have got to know the real lyrics of "Sunshine of my love". In its new form, the old magic of the song just does not seem to be there anymore. Who knows, SEAL may have been right after all!

AES Activities

The AES India Chapter took off its yearís activities with a lecture tour of the NCPA Opera House. It was followed by the technical seminar on Studio Design by the well-known Roger DíArcy of Recording Architecture, U.K. Having completed more than 200 facilities around the world, they are now looking toward India as an emerging market for their services. They have recently completed Spectral Harmony and are already on to their 2nd project in Mumbai. Roger took the AES members through the Studio Design process and highlighted specific issues e.g. monitor room acoustics, monitor speakers etc. The members were indeed thrilled to have among them an expert who could demystify the illusory science of Acoustics, a much-neglected topic in Indian conditions. Often left to Interior decorators and Architects, this specialized science urgently needs to find its rightful place in the priorities of space management experts. Every studio needs to be scientifically designed and the lack of trained experts in this field in India has caused enough damage, not forgetting the enormous waste of resources. Acoustic Sciences also finds relevance in other areas of our life. Clubs where live music is played needs to look into this urgently. The management concerns seems to lie only in the appearance of their premises. If only they realized that if they improved the acoustics of the performing area, the increase in the enjoyment levels of their patrons (and therefore their bar bills) will far outweigh the cost of the redesign. There is not a club in Mumbai where the band can sound good! There is this discotheque in Mumbai, which is made entirely of glass! The cacophony in there is unbelievable. In fact, the whole place sounds like a railway platform in the evening rush and yet the designers are supposedly among the best in the country and command huge fees. I hope Roger and his company can succeed in raising the sensitivity levels of the Indians to appreciate this fine art and contribute to the quality of our life. I hope they can train some Indian engineers while they are here so that this much-neglected science gets the boast that it so badly needs.

Roger and the Acoustic and Architecture camp have also come up with a new idea to raise the standards of studios all over the world. They have evolved standards, not built on discrete parameters, whereby whoever meets them will become a DISC accredited studio. DISC (Directory of International Studio Control Rooms) is a published list of Ďoptimizedí rooms that are subjected to a monitoring service by an independent acoustician. For more information, fees etc. contact their site at www.disc-studios.com Roger informed us that he wants to start the Indian service soon and hopes that the Indian studios can avail of this attempt to raise the existing levels of excellence in the Indian recording world.

In the meantime the AES members are getting ready for another technical seminar. This time it is a demonstration of the latest Nakamichi products at their showroom at Crossroads.

Happy listening,

Nandu Bhende

homesite :http://nandu_bhende.tripod.com

 


 

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